S E L E C T E D

  • Andil Gosine Small Axe , essay Everything slackens in a wreck, page 119.
  • Catalogue page. 24, Becoming by E. Chou & A. Sorahitalab
  • Annabel Keenan, Brooklyn Rail, July/August, 2022, review of Everything slackens in wreck, page 76.
  • Mingying Zhou, Caribbean Quarterly, March-June, 2021 edition, page 96,
    Chineseness in the works of 2 Jamaican artists.
  • Adriana Ospina, No Ocean Between us: Art of Asian Diasporas in Latin America and the Caribbean, 1945 – present, Art Museum of the Americas, USA.
  • Morison, Petrona, Catalogue essay to SUBSTRATA, 2019
  • Morison, Petrona, Catalogue essay to OVOID, 2003
  • Boxer, David,  Introduction, catalog. essay to  SUBTERRENE, 2000
  • Turner, Jane, editor, ENCYCLOPEDIA OF LATIN AMERICAN & CARIBBEAN ART, publishing by Grove Dictionary, U.S.A. 2000
  • Poupeye, Veerle , CARIBBEAN  ART,  Thames & Hudson, London 1998
  • Boxer, D. & Poupeye, V., CONTEMPORARY  JAMAICAN  ART,  Ian Randle Publisher,  Jamaica  1998
  • Archer-Straw, Petrine, Many Rivers Crossed,  Catalogue essay,   NEW WORLD IMAGERY:  Contemporary Jamaican Art, 1995
  • Lewis, Samella & Hewitt, M.J. Catalogue essay to  CARIBBEAN VISIONS:  Contemporary Painting & Sculpture, 1995
  • Cresswell, Peter, Insiders and OutsidersJAMAICA JOURNAL,  Vol.24 #3,  Feb,1993,  Kingston, Jamaica
  • O’Gorman, Pam, review of  ASPECTS III:  8 Avant Garde THE DAILY GLEANER,  Aug. 21, 1990, Kingston, Jamaica.
  • Morrison, Petrona , review of  CROSS-SECTION,  in THE DAILY GLEANER, March 25, 1990, Kingston, Jamaica
  • Boxer, David, Introduction to an introduction, catalogue essay  to CROSS-SECTION,   March, 1990, Kingston, Jamaica.
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